Everything

NOBEL DESIGN is a Danish creative practice by ceramicist Lina Maria Lund based in Copenhagen. Lina creates contemporary ceramics using slipcasting techniques playing with texture.

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MELANIE CHANNELL makes ceramics from her studio in Melbourne’s Northern Suburbs, using both wheel throwing and hand building techniques. Her work is influenced by the Australian landscape, taking the time to slow down and appreciate the finer details of our surroundings.

Each object is unique, functional and intended to add to a nicer way of living where simple is often best.

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TOTES GOOD are proudly designed, printed and sewn in Melbourne. Established by graphic designer Sara Hayat, Totes Good offers vibrant and versatile bags and accessories that incorporate illustrative and tactile elements.

Sara uses remnant rolls of fabric that would otherwise be discarded and design her bags to ensure that nearly every scrap of material is used.

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HOME BY HARLEQUIN is the Sydney based practice of Lauren Eaton. With no formal training, Lauren spent years developing a new set of skills from casting to working with stones, silicone and resin, teaching herself techniques to create objects that are fresh and refined while staying true to her philosophy of functionality.

The result is a playful collection of pieces for the home with a simplicity that belies the difficulties encountered in using such unexpected materials.

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Living and working in France, MATHIEU FROSSARD's work stands somewhere between art, design and craft. Looking at these practices from a distance, Mathieu's work is a collage of aesthetic references, shapes and materials that blur boundaries and offer multiple paths for the viewer to apprehend his work.

Giving viewers visual references, Mathieu pushes them to confront their own imaginative faculties, inviting them to interpret these as their own and to create stories based on what they see. Mathieu graduated in art and design from ESAD in Rheims, France, and from the Design Academy in Eindhoven, the Netherlands.

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JENNA O’BRIEN is a Melbourne based jeweller who handcrafts colourful pieces from her Flinders Lane studio. Her work is an expression of her experiences and interests as well as an embodiment of her journey to date with inspiration being drawn from the colour, form and the materiality of everyday objects.

Each piece of jewellery is handcrafted using an enamelling technique, with no two pieces being exactly the same. Jenna graduated from RMIT with a Bachelor of Fine Art in 2014 and completed an Advanced Diploma of Engineering Technology (Jewellery) from Box Hill institute of TAFE in 2011.

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DORKUS DESIGN is a jewellery and form play project by Melbourne based Stephanie Watt. All Dorkus Design pieces are designed and made in her Brunswick studio using a combination of Laser cutting and hand painting and finishing pieces. Stephanie’s background in Industrial Design informs her practice whereby she integrates modern technology to her handmade process.

Dorkus Design pieces are known for their distinct aesthetic incorporating elements of play and a good dash of offbeat humour.

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DORKUS DESIGN is a jewellery and form play project by Melbourne based Stephanie Watt. All Dorkus Design pieces are designed and made in her Brunswick studio using a combination of Laser cutting and hand painting and finishing pieces. Stephanie’s background in Industrial Design informs her practice whereby she integrates modern technology to her handmade process.

Dorkus Design pieces are known for their distinct aesthetic incorporating elements of play and a good dash of offbeat humour.

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INDIGO O'ROURKE is a Melbourne-based visual artist who predominantly works with a pen drawing technique. As her art practice deals with the complex experiences of being human, her carefully rendered biro drawings take on a critical view of social, political and cultural issues in today's world.

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JENNA O’BRIEN is a Melbourne based jeweller who handcrafts colourful pieces from her Flinders Lane studio. Her work is an expression of her experiences and interests as well as an embodiment of her journey to date with inspiration being drawn from the colour, form and the materiality of everyday objects.

Each piece of jewellery is handcrafted using an enamelling technique, with no two pieces being exactly the same. Jenna graduated from RMIT with a Bachelor of Fine Art in 2014 and completed an Advanced Diploma of Engineering Technology (Jewellery) from Box Hill institute of TAFE in 2011.

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JENNA O’BRIEN is a Melbourne based jeweller who handcrafts colourful pieces from her Flinders Lane studio. Her work is an expression of her experiences and interests as well as an embodiment of her journey to date with inspiration being drawn from the colour, form and the materiality of everyday objects.

Each piece of jewellery is handcrafted using an enamelling technique, with no two pieces being exactly the same. Jenna graduated from RMIT with a Bachelor of Fine Art in 2014 and completed an Advanced Diploma of Engineering Technology (Jewellery) from Box Hill institute of TAFE in 2011.

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JENNA O’BRIEN is a Melbourne based jeweller who handcrafts colourful pieces from her Flinders Lane studio. Her work is an expression of her experiences and interests as well as an embodiment of her journey to date with inspiration being drawn from the colour, form and the materiality of everyday objects.

Each piece of jewellery is handcrafted using an enamelling technique, with no two pieces being exactly the same. Jenna graduated from RMIT with a Bachelor of Fine Art in 2014 and completed an Advanced Diploma of Engineering Technology (Jewellery) from Box Hill institute of TAFE in 2011.

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Alexandra Standen from PINCH CERAMICS is a Sydney based ceramic artist currently undertaking a Masters by research at UNSW Art and Design. The premise of Alexandra's work is to bring into question the fragility of ceramic objects, speaking to the process of making work in porcelain as well as ‘feeling uneasy’ around objects of fragile or precarious nature.

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Alexandra Standen from PINCH CERAMICS is a Sydney based ceramic artist currently undertaking a Masters by research at UNSW Art and Design. The premise of Alexandra's work is to bring into question the fragility of ceramic objects, speaking to the process of making work in porcelain as well as ‘feeling uneasy’ around objects of fragile or precarious nature.

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Alexandra Standen from PINCH CERAMICS is a Sydney based ceramic artist currently undertaking a Masters by research at UNSW Art and Design. The premise of Alexandra's work is to bring into question the fragility of ceramic objects, speaking to the process of making work in porcelain as well as ‘feeling uneasy’ around objects of fragile or precarious nature.

VIEW ALL WORKS FROM THIS ARTIST